"...as well as Jonathan Harvey's "Song Offerings," a group of lapidary Tagore settings for soprano and mixed chamber ensemble. In the latter work, soprano Sarah Tuttle beautifully captured the pointed, calligraphic quality of Harvey's glinting vocal lines."
-The Boston Globe
"A Friday afternoon program included three premieres, all chamber works, including Mr. Harbison’s “Seven Poems of Lorine Niedecker” (2014), a meditative set that unfolds as a continuous work rather than as seven distinct settings—a sensible approach given Niedecker’s fragmentary, impressionistic texts. The soprano Sarah Tuttle projected the gently angular vocal line with a fine balance of energy and introspection..."
-The Wall Street Journal
"Die Reise führt weiter in klirrende Kälte, in die Benjamin mit "A Mind of Winter" für Sopran und Orchester versetzt. Aus eisiger Stille heraus zeichnet Vestmann mit Benjamins Klansprache eine makellose Schnee-und Eislandschaft nach. Die Sopranistin Sarah Tuttle setzt mit großer Strahlkraft warme Akzente."
-Die Nordwest Zeitung
"Noch auffälliger wird dies im Vergleich zu einer stimmgewaltigen Micaëla, gesungen von Sarah Tuttle, die umso mehr Drama auf die Bühne bringt."
-Die Nordwest Zeitung
"Als Königin Marguerite darf Sarah Tuttle einen lodernden Sopran ausspielen, der ihrer Einsamkeit und Sehnsucht überzeugend Farbe verleiht."
-Theater im Visier
"An exciting "Who's that?" moment came when soprano Sarah Tuttle sang 'Song Offerings'...look for her name, it's sure to be seen again."
-The Daily Gazette
"Tuttle’s superb work, displaying impressive artistic and intellectual growth and depth in the year’s interval since her last (gorgeous) performance at Ozawa Hall, was displayed as well in the exquisitely phrased evocations of the poetry of Friedrich Rückert."
-The Berkshire Edge
"...Sarah Tuttle, a more expressive and emotionally open singer—in fact, the most knowing of all the TMC vocal fellows—really “got” the complex ironies behind the words in Harbison’s brilliant new addition to his settings of American poetry, Seven Poems of Lorine Neidecker (“Ah, your face / but it’s whether / you can keep me warm”)."
-The Berkshire Review
"...The redoubtable Ursula Oppens was at the piano, paired with soprano Sarah Tuttle, whose warm and appealing voice was a pleasure to hear. Tuttle has a very open and engaging presence on stage, lending an unexpected earnestness to Niedecker’s words—when she sang “you bring me peaches” she seemed so pleased at the prospect that it engendered pleased laughter from the audience."
-The Boston Musical Intelligencer
-The Boston Globe
"A Friday afternoon program included three premieres, all chamber works, including Mr. Harbison’s “Seven Poems of Lorine Niedecker” (2014), a meditative set that unfolds as a continuous work rather than as seven distinct settings—a sensible approach given Niedecker’s fragmentary, impressionistic texts. The soprano Sarah Tuttle projected the gently angular vocal line with a fine balance of energy and introspection..."
-The Wall Street Journal
"Die Reise führt weiter in klirrende Kälte, in die Benjamin mit "A Mind of Winter" für Sopran und Orchester versetzt. Aus eisiger Stille heraus zeichnet Vestmann mit Benjamins Klansprache eine makellose Schnee-und Eislandschaft nach. Die Sopranistin Sarah Tuttle setzt mit großer Strahlkraft warme Akzente."
-Die Nordwest Zeitung
"Noch auffälliger wird dies im Vergleich zu einer stimmgewaltigen Micaëla, gesungen von Sarah Tuttle, die umso mehr Drama auf die Bühne bringt."
-Die Nordwest Zeitung
"Als Königin Marguerite darf Sarah Tuttle einen lodernden Sopran ausspielen, der ihrer Einsamkeit und Sehnsucht überzeugend Farbe verleiht."
-Theater im Visier
"An exciting "Who's that?" moment came when soprano Sarah Tuttle sang 'Song Offerings'...look for her name, it's sure to be seen again."
-The Daily Gazette
"Tuttle’s superb work, displaying impressive artistic and intellectual growth and depth in the year’s interval since her last (gorgeous) performance at Ozawa Hall, was displayed as well in the exquisitely phrased evocations of the poetry of Friedrich Rückert."
-The Berkshire Edge
"...Sarah Tuttle, a more expressive and emotionally open singer—in fact, the most knowing of all the TMC vocal fellows—really “got” the complex ironies behind the words in Harbison’s brilliant new addition to his settings of American poetry, Seven Poems of Lorine Neidecker (“Ah, your face / but it’s whether / you can keep me warm”)."
-The Berkshire Review
"...The redoubtable Ursula Oppens was at the piano, paired with soprano Sarah Tuttle, whose warm and appealing voice was a pleasure to hear. Tuttle has a very open and engaging presence on stage, lending an unexpected earnestness to Niedecker’s words—when she sang “you bring me peaches” she seemed so pleased at the prospect that it engendered pleased laughter from the audience."
-The Boston Musical Intelligencer